RITE — Santa Maria Novella Florence

RITE — Santa Maria Novella Florence

JAN-JAN VAN ESSCHE

RITE

A ritual in cloth and time

11 January 2023, Florence.

Within the stillness of Santa Maria Novella,
cloth and body, light and sound
came together in a single moment.

Not a show to watch — a time to enter.

The Invitation

Invitation to JAN-JAN VAN ESSCHE RITE in Florence
A quiet prelude.

On the hotel bed,
a single invitation lay quietly waiting.

A quiet sign
of what was about to unfold.

A Sacred Space in Light

Santa Maria Novella in Florence at night
History held in illuminated stone.

Santa Maria Novella.

As the night deepened,
the stone architecture and the air surrounding it
slowly revealed themselves.

The Threshold

JAN-JAN VAN ESSCHE RITE before the show
A pause before the rite.

The stillness before it began.

Even as people gathered,
a quiet sense of anticipation
remained in the space.

Part I — Stillness and Weight

JAN-JAN VAN ESSCHE PROJECT 11 RITE
A procession of cloth and light.

JJVE PROJECT #11 “RITE”.

As the models appeared,
the weight of the cloth and the restraint of their movement
deepened the stillness of the space.

It was not simply about looking at clothes.
Through body, cloth and movement,
an entire world gradually took form.

Inspired by Pina Bausch’s The Rite of Spring.

Part II — The Rhythm

Dancers at JAN-JAN VAN ESSCHE RITE
Bodies moving through cloth.

Then the dancers appeared.

The resist-dyed cloth moved with their bodies,
and rhythm slowly entered
what had been a quiet space.

The garments were no longer static objects.
They moved with the body,
revealing a different expression with every gesture.

The freedom and harmony within the clothes
became clearer through movement.

Part III — Touch

A moment during JAN-JAN VAN ESSCHE RITE
A moment of connection.

At the end of the show,
the models gathered in the square
and we were able to touch the garments.

The weight and texture of the cloth.
What can only be known through touch.

JAN-JAN VAN ESSCHE RITE in Florence
A presence that alters the air.

The arrival of a single body
could change the atmosphere of the entire space.

Lamine Diouf at JAN-JAN VAN ESSCHE RITE
The artisan within the fabric.

And then, Lamine Diouf.

Wearing textiles woven by his own hands.

As maker, material and body met, it felt as though the time held within the cloth became visible.

Courtyard

Courtyard during JAN-JAN VAN ESSCHE RITE
Rhythm moving through the courtyard.

The gathering moved into the courtyard.

People, sound and movement came together,
and within the stillness,
a sense of celebration began to unfold.

JAN-JAN VAN ESSCHE RITE gathering
A shared moment of reverence.

JJVE — A Philosophy

JAN-JAN VAN ESSCHE RITE textile and garment
A vision shaped through fabric.

Tradition and the contemporary.
Nature and people.
Stillness and movement.

Rather than separating these apparent opposites,
JAN-JAN VAN ESSCHE allows space
for what exists between them.

Respect for materials.
Techniques carried forward through generations.
And freedom for the person who wears the clothes.

What we experienced at RITE
felt like an expression of the approach
JAN-JAN VAN ESSCHE has long pursued through clothing.

It is an approach that quietly resonates
with what BORDEAUX has valued
over many years.

To wear it is to carry time.


Closing

Birds above the Arno in Florence
Birds crossing the sky above the Arno.

BORDEAUX was invited to RITE as the only shop from Japan.

We leave here a record
of what we saw and felt that night.

RITE was more than a presentation of clothes.
Cloth, body, craft, sound and architecture came together
in an experience that moved across time and culture.

A fleeting night, held in memory.

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